Reviews

Jane Eyre at The Bristol Old Vic

Posted on: 2014-02-20

The show is a visual, verbal and musical masterpiece.

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Grace Fox reviews Jane Eyre showing at the Bristol Old Vic on 20th February 2014.

Helmed by director Sally Cookson, a new devised adaptation of Jane Eyre has recently been brought to the Bristol Old Vic by a troupe of ten actors. The plot unveiled in an original and abstract performance which consists of two parts that last for four and a half hours in total.

Given the length of the performance, it is pleasing to see that this adaptation has remained fiercely faithful to Bronte’s beloved novel. The first act largely following Eyre’s (Madeline Worrall) cruel upbringing as a child. The second, her tormented relationship with Rochester (Felix Hayes). All conveyed using a surprisingly stark set, the changes in location distinguishable only by the subtle changes in ceiling fixtures. Rather it is the use of music and symbolism that help invigorate the script. An orchestra placed (surprisingly) at the centre of the stage providing live percussion and song throughout the performance whilst the ensemble flit between their many character roles. The unwavering vocal talent of Bertha (Melanie Marshall) is a particular highlight. Her beautiful yet harrowing use of song reminiscent of the underlying sorrow that has dominated Jane and Rochester’s previous existence.

Worrall’s portrayal of Jane Eyre is poignant. Her spirited nature creating tension during moments of confrontation, yet appealing to the sentiment of the audience as she undergoes periods of emotional and physical unrest. Contrastingly Hayes conveys the character of Rochester with a disposition that elicits episodes of dry humour amidst his usual agitated and harsh tendencies towards others. A rather novel approach to the character given the previous adaptations I have witnessed but nonetheless Hayes’ approach did acquire the occasional titter from the audience. His trusty canine Pilot (the mirthful Craig Edwards) even moreso! However whilst their individual performances are strong, the onstage chemistry between Rochester and Jane does not come naturally. The intoxicating hold Rochester has upon Jane and his concealed tenderness for her in the novel failing to be felt by the audience, or at least, by my companion and I.

Nonetheless the delightful Adele (Laura Elphinstone) is a breath of fresh air during the darker scenes. Her fervent and devoted nature quickly gaining the audiences devotion. Similarly Simone Saunders is also wonderful to watch.

The show is a visual, verbal and musical masterpiece. All elements integrating well to give an emotionally captivating performance. The script is raw and the staging, minimalistic. Every aspect of the show, an extension of Jane Eyre herself; simple yet full of heart.

 

Jane Eyre is on until 29 March 2014 at The Bristol Old Vic and is performed in 2 parts. Click here for more information including schedule and ticketing.

 

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