Exultate Singers - Bristol Live Music Review
Posted on: 2017-04-05
Our rating:
The Exultate singers brought their own distinctive brand of vocal power to St. Georges in Bristol Saturday 1st April 2017 with a very special performance of Monteverdi’s Vespers (1610)
Conducted by David Ogden, Bristol’s accomplished Chamber choir joined forces with His Majesty’s Sagbutts and Cornetts, along with a varied selection of soloists from world renowned vocal group I Fagiolini. The 45 strong choir was founded in 2002 and has already performed over 150 concerts and broadcasts, a testament to their popularity both local and national. Their performance style made fine use of St. Georges’ complex acoustic qualities creating an engaging and immersive sonic experience.
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From a humble beginning with relatively little fanfare, the performance successfully transported the audience to a time of great musical ingenuity. The somewhat intricate nature of the piece was adeptly translated by the talented singers and the professional musicianship involved. The musicians followed the score sensitively giving an accurate depiction of the original vespers that came from a place of clear affection.
The unique surroundings of one of Bristol’s finest classical venues provided a rich ambience and tranquil atmosphere with dramatic stage lighting and a suitable volume. The hall created a beautiful natural reverb which resonated the frequencies throughout resulting in a triumphant and passionate rendition of an already compelling piece. Beautiful rich harmonies from the choir were carefully constructed to fully utilise the diversity of the voices, complementing the antiquated instruments and filling the venue with gorgeous sound.
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This was one of the finest renditions I have come across, full of genuine love of the music itself and accurately represented by people overflowing with talent. In particular, the talented theorbo player gave an incredible performance, reviving the relatively rare instrument for a modern audience. Far from the only antiquated instruments involved, the sagbutts and cornetts were a visual and sonic treat for any music nerds nestled in the crowd. As was the fashion with renaissance music, not all instruments are used at any one time, with a tendency towards using a melody (vocals) and a single accompaniment. This meant that the musicians sat patiently between pieces, but the joy never once faded from their faces. It’s good to see a group so engrossed in their work, whatever kind of music it is.
If the chance to see any of those performing on Saturday arises again, I would urge lovers of classical pieces to go and see them. It was a wonderfully rich and compelling experience, and the surroundings of St Georges only furthered the significance of the beautiful compositions.
5/5
For further info please visit www.exultatesingers.org
Article by:
Miri is an English literature student at the University of Bristol who enjoys folk-punk & math-rock music, trailing round art galleries, and playing video games. She is a keen follower of politics and will read any science fiction you throw her way. Having lived in and around Bristol for many years she has developed a keen interest in the Bristol underground music scene and independent restaurants.
